LIZ JENEID
The black and white image at the top of each of the 'Port, Poles and Wires pages, of Port Kembla with poles and wires, is a detail of Kathryn Orton's lithograph, 'Greetings from Coniston'.
I am always amazed and slightly terrified of the so called connectedness of social media – partly due to the fact that privacy seems to be increasingly hard to maintain and also because I am really bad at putting up images or text on a Facebook page or other media that goes out to – well who? Having had my Facebook account hacked makes me even more reluctant to use it.
My two works represent Facebook (pictured here) and Twitter – threads connect the pages, twisting and penetrating the paper to end up in a chaotic mass at the end of the ‘book’.
Liz Jeneid 2018
